Setup: Fender Telecaster or Stratocaster. Bridge pickup. High Gain on Amp (or moderate distortion). Flanger on some riffs. The song is comprised of several patterns outlined below. The sequence/order of these easy to decipher. PATTERN 1 (Positions shown, listen to track for proper strum pattern) Note: These are rather odd chords played by Cerati. They are correct, and can be clearly seen in the Vina del Mar DVD. E||--7----(0)-----------|x3 4th time: |--7----(0)-----------(0)----| B||--7-----9-----(7)----| |--7-----9-----(7)-----9-----| G||--8-----9------7-----| |--8-----9------7------9-----| D||--9-----9------7-----| |--9-----9------7------9-----| A||--9----11------9-----| |--9----11------9-----11-----| E||--7----(0)-----x-----| |--7----(0)-----x-----(0)----| Use these fills for Pattern 1 above: 1st Time 2nd Time 3rd Time |-------------|--12--------|----------------------| |--(9)--9b~---|--15b~------|--7-----8-----9----10-| |-------------|------------|--9b---10b---11b---12b| |-------------|------------|----------------------| |-------------|------------|----------------------| |-------------|------------|----------------------| PATTERN 2 (Positions shown, listen to track for proper strum pattern) Note: -Strum mostly on the EAD strings, not so much on the GBe strings. -On repeats #5,6,7 there are variants to the strum pattern. -Release the PM for the last two chords on last repeat. Quiero ser... PM PM PM |--7----2----5----| x8 or x4 |--7----2----5----| |--8----3----6----| |--9----4----7----| |--9----4----7----| |--7----2----5----| PATTERN 3 (Positions shown, listen to track for proper strum pattern) (w/ slight Flanger effect) Y que nos vuele... Un espacio... Este tiempo... Todo acaba... |--4----3----4----3----|--4----3----2--0----0----| |--4----3----4----3----|--4----3----3--3----0----| |--4----4----4----4----|--4----4----2--2----1----| |--6----5----6----5----|--6----5----0--0----2----| |--6----5----6----5----|--6----5------------2----| |--4----3----4----3----|--4----3------------0----| PATTERN 4 (Positions shown, listen to track for proper strum pattern) Hoy hagamos... tanto hambre sin... |--7----3----5----0----|--4----5----5----0----| |--7----3----5----0----|--4----7----5----0----| |--8----4----6----1----|--4----7----6----1----| |--9----5----7----2----|--6----7----7----2----| |--9----5----7----2----|--6----5----7----2----| |--7----3----5----0----|--4----5----5----0----| Hoy hagamos... y que durar sea... |--7----3----5----0----|--4----3----2----4----| |--7----3----5----0----|--4----3----2----4----| |--8----4----6----1----|--4----4----2----4----| |--9----5----7----2----|--6----5----4----6----| |--9----5----7----2----|--6----5----4----6----| |--7----3----5----0----|--4----3----2----4----| PATTERN 5 (Positions shown, listen to track for proper strum pattern) Note: There are various simple fill-ins while this plays. |--0----0----3----| x4 |--0----2----3----| |--1----2----0----| |--2----2----0----| |--2----0----2----| |--0---------3----| PATTERN 6 (Positions shown, listen to track for proper strum pattern) Mecanismos... Es impostor... |--(0)----(0)----(0)----(0)----(0)----(0)----2----4----| |---3------0------3------0------3------0-----2----4----| |---2------1------2------1------2------1-----2----4----| |---0------2------0------2------0------2-----4----6----| |---0------2------0------2------0------2-----4----6----| |----------0-------------0-------------0-----2----4----| PATTERN 7 Guitar 1 plays |--7----3----5----0----| |--7----3----5----0----| |--8----4----6----1----| |--9----5----7----2----| |--9----5----7----2----| |--7----3----5----0----| While Guitar2 plays |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| |-9-9-9-9-9-9-9-9-9-9-9-9-14-14-14-14-14-14-14-14-16-16-16-16-16-16-16-16-| |-x-x-x-x-x-x-x-x-x-x-x-x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x-| |-7-7-7-7-7-7-7-7-7-7-7-7-12-12-12-12-12-12-12-12-14-14-14-14-14-14-14-14-| ----------------------------------------------------------------------| ----------------------------------------------------------------------| ----------------------------------------------------------------------| -21-21-21-21-21-21-21-21-21-21-14-14-14-14-14-14-14-14-16-16-16-16-16-| --x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x-| -19-19-19-19-19-19-19-19-19-19-12-12-12-12-12-12-12-12-14-14-14-14-14-| PATTERN 8 (Outro) Guitar 1 plays |--4--------2--------4--------2--------4--------2--------| |--4--------2--------4--------2--------4--------2--------| |--4--------2--------4--------2--------4--------2--------| |--6--------4--------6--------4--------6--------4--------| |--6--------4--------6--------4--------6--------4--------| |--4--------2--------4--------2--------4--------2--------| While Guitar2 plays 'solo' style... |------------------------|------------------------| |--20b~--------20br~-----|--20br--------20b--r~---| |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |------------------------|------------------------| |--20b--------20~\-------| |------------------------| |------------------------| |------------------------| |------------------------| |------------------------| |--2--------------2----0---------0----| On a Strat, keep volume of Neck PU |--3----3---------3----3---------0----| at zero and toggle switch rapidly for |--2---------2----2----2---------1----| on/off effect at the end of song. |--0--------------0----0---------2----| |--------------------------------2----| |-------------------------------------|